Landscape + Shadow
The large structures are built through recycled furniture with the underpinning goal to build meditation objects. The images serve as visual mantras, while the wire latticing that juts outward cast shadows as an induction device, a drawing, so to speak.
As the lighting systems between exhibition spaces differ, so must the shadow drawings. As such, the works are installed with site-specific consideration.
Wood, Wire, Acrylic, Oil Paint
The large structures are built through recycled furniture with the underpinning goal to build meditation objects. The images serve as visual mantras, while the wire latticing that juts outward cast shadows as an induction device, a drawing, so to speak.
As the lighting systems between exhibition spaces differ, so must the shadow drawings. As such, the works are installed with site-specific consideration.
Wood, Wire, Acrylic, Oil Paint
Substrata
Each piece is of hand-made paper, pressed and moulded from the imprint of Kantael Mats, a staple floor cover in Khmer culture.
Wood, Paper, Ink, Acrylic, Gouache
Each piece is of hand-made paper, pressed and moulded from the imprint of Kantael Mats, a staple floor cover in Khmer culture.
Wood, Paper, Ink, Acrylic, Gouache
On Silk
Works on Silk---description coming...
Works on Silk---description coming...
Other Inquiries
The residue that comes from the studio. Salvaged forms from deeper invegation--These works don’t quite fit, They aren’t quite right. I still don’t know what they are. I suppose that’s their charm.
Form, Gesture, Color, and Abstraction.
The residue that comes from the studio. Salvaged forms from deeper invegation--These works don’t quite fit, They aren’t quite right. I still don’t know what they are. I suppose that’s their charm.
Form, Gesture, Color, and Abstraction.